Atop the famous stele containing Hammurabi’s Code is a depiction of Hammurabi and Shamash, the Sun god, who was also the Babylonian god of justice. The swirling headdress of Shamash in this image might seem merely decorative, but in fact it possesses a dynamic meaning.
At the back of Shamash’s head is an oval object that has no obvious purpose. It appears to be attached to the coiled shape of the headdress, as if it were the head of a serpent. But why would Shamash be wearing a serpent on his head?
To answer this question, one must become aware of the compelling new evidence for and reinterpretation of Continue reading »
Honor Immanuel Velikovsky, a great, misunderstood scientist! This striking, 100%-cotton Immanuel Velikovsky T-shirt, designed by Scientia Press, will get you and Velikovsky plenty of attention! Medium size. Wash in cold water.
To order yours, Continue reading »
Sekhmet (“The Mighty One”), the lion-headed goddess of ancient Egypt, was dreaded for her bloody rampages. Yet she became the protector of kings and a favorite personal goddess of millions of Egyptians.
Why did Egyptians have a goddess who required such assiduous and even obsessive propitiation? Why did other Egyptian goddesses play roles similar to Sekhmet’s? What explains Sekhmet’s dual nature as destroyer and protector? Why was she called the Eye of Ra? Why was she originally depicted with an oval disk on her head?
We now have good answers to these questions. But in order to understand them, we need to see why we should think that Sekhmet was Planet Venus. And that requires us to investigate a major case of scientific rejectionism. Continue reading »
One of the world’s most famous monuments, Stonehenge abounds in mysteries and anomalies.
Why was Stonehenge built in the first place? Why was it radically transformed shortly before 2500 BC into a masterpiece of megalithic architecture? What explains the intricate, changing patterns of the stones over time? Why were the lintels so carefully jointed, and why were they made almost perfectly level? Why the extraordinary effort?
There are rather simple answers to these and other questions, but to get to them we need to set aside preconceptions and come to terms with something that isn’t so simple. Continue reading »
There are good reasons to think that Earth has turned over on various occasions. But who can be surprised that this notion—so removed from everyday experience and common sense—seems less than instantaneously persuasive?
The good reasons include telling evidence in narrative testimony and correctly interpreted myths of the ancients, embedded patterns in ancient cultures that give evidence of inversions, and the insights and arguments of two formidable researchers. Now we can 1) add new reasons that strengthen the case; 2) specify the approximate dates of four inversions; 3) comprehend that Earth is actually prone to inversion; and 4) point to where to find more evidence. We can also see that understanding inversions not only helps us correct errors in interpreting past planetary and Earth science but also provides clues relevant to climate change. Continue reading »
When Venus first appeared in the skies shortly before 2500 B.C., ancient peoples worldwide strove to come to terms with this brilliant and awesome new comet-planet (the best account is in Immanuel Velikovsky, Worlds in Collision, though it needs some revision). That meant assigning the deity a gender and a name.
In the Near East, they tried both genders. In its masculine incarnation, Venus became the Bull of Heaven (as Velikovsky pointed out, the comet-planet’s body blocked the sun’s rays from the central portion of its tail and thus it was seen as having two horns). In its feminine version, Venus was called Ishtar or Astarte; and in the Levant Astarte was depicted with serpents in her hands—the twin tails of the comet.
In Greece, according to Velikovsky, planet Venus was originally named Athena. Continue reading »
New evidence and interpretation at the intersection of astronomy and religion can help us better understand the history of the Ancient Near East and of the origins of Islam.
In recent years, a revised and enhanced version of Immanuel Velikovsky’s theory that the planet Venus first entered the inner solar system as a comet with a bifurcated tail around 1500 B.C. (new evidence indicates shortly before 2500 B.C.) has found plentiful substantiation. Now we have a much better explanation of the origin of Venus (it was pulled from the outer solar system by Jupiter’s gravity and, via tidal heating, became a comet with a long tail, overcoming the leading objection to Velikovsky’s theory). Venus interacted with the Earth on a 52-year cycle during the Late Bronze Age, causing catastrophes worldwide. And we now have a framework theory of the terrestrial planets into which these phenomena neatly fit and for which there is much telling evidence. For Comet Venus, there is also newly interpreted, compelling iconographic and linguistic evidence. The names of both Athena (A Fena, the Phoenician) and Poseidon (Bos eidon, the Bull of Heaven), for instance, referred to the double-tailed Venus.
So we can ask, with new-found confidence that the Ancients and Velikovsky were right about Venus, how can we use this to better decipher aspects of the culture of the Ancient Near East and of the background of Islam?
Continue reading »
Immanuel Velikovsky argued famously, based on his interpretation of ancient sources, that Venus had emerged from Jupiter as a comet, interacted with the Earth and Mars in the second and first millennia B.C., and then finally settled into a nearly circular orbit of the Sun.
Four new lines of reasoning support a revised and enhanced version of this theory.
First, instead of the various unpersuasive suggestions that Velikovsky and others have made for how a cometary Venus could have emerged from Jupiter, we should consider the possible consequences of the immense gravitational field of Jupiter, which pulls into the giant planet a stream of asteroids and comets such as Shoemaker-Levy 9 in 1994. Continue reading »
The famous Snake Goddess of ancient Crete has long attracted students of history and art. Elegant, risquée, enigmatic, she embodies the mystery and allure of Minoan civilization. Continue reading »