The famous Snake Goddess of ancient Crete has long attracted students of history and art. Elegant, risquée, enigmatic, she embodies the mystery and allure of Minoan civilization.
When Venus first appeared in the skies around 2525 BC, ancient peoples worldwide strove to come to terms with this brilliant and awesome new comet-planet (the best account is in Immanuel Velikovsky, Worlds in Collision, though it has been corrected in a Revised Venus Theory). That meant assigning the deity a gender and a name.
In the Near East, they tried both genders. In its masculine incarnation, Venus became the Bull of Heaven (as Velikovsky pointed out, the comet-planet’s body blocked the sun’s rays from the central portion of its tail and thus it was seen as having two horns). In its feminine version, Venus was called Ishtar or Astarte; and in the Levant Astarte was depicted with serpents in her hands—the twin tails of the comet.
In Greece, according to Velikovsky, planet Venus was originally named Athena.
The famous spiral disk found in Phaistos, Crete in 1908 has long defied efforts to translate it or even to identify the language in which it is written or what kind of a document it might be (it is here in color to aid analysis). Though many scholars and amateurs have proposed theories and even translations, none has seemed persuasive to the great majority of observers. A skeptical view holds that the disk is a forgery, but most scholars reject this. Many scholars agree that the small sample of language in the disk makes a breakthrough very unlikely unless and until other samples of the writing are found.