Scientia Press

Sometimes we just need to listen carefully.  Definitely in regard to Karnak.

Egyptian priests told Herodotus, a careful listener, that four times since Egypt had become a kingdom “the Sun rose contrary to his wont; twice he rose where he now sets, and twice he set where he now rises.”

This evidence, and much else, was interpreted by

Historian and scientific researcher Kenneth J. Dillon explains his The Martian Theory of Mass Extinctions. For most of the past 4 billion years, the orbits of Mars and Earth were more eccentric than at present, and they intersected. The closest approaches of Mars led to the great mass extinctions of prehistory, while more distant approaches might account for many minor extinctions as well. The theory shows why the extinctions were serial events, why they differed in size, how they shaped the surface of Mars, and what made them so terrifically devastating. For further information, see https://www.scientiapress.com/extinctions.

The Martian Theory of Mass Extinctions

Among the deepest mysteries of ancient Egypt is the Great Sphinx of Giza.  Researchers, both professional and amateur, have painstakingly investigated its every aspect.1  Yet key puzzles remain, above all the question of why this colossal structure, the ancient world’s largest monument, was built in the first place.

It’s not that serious researchers and free-ranging speculators have not proposed explanations.  But every theory put forward falls well short of true persuasiveness or stumbles over inconvenient facts.  Here are three anomalies a correct theory should explain.

The civilizations of Mesoamerica were full of mysteries.  What explains their fixation on Venus?  What led them to develop their intricate, highly precise calendars?  What can explain the little pecked-cross circles embedded in the landscape?  Why were these peoples so keenly bent on human sacrifice?  What were the Aztecs referring to when they said that this was the age of the Fifth Sun?

Fortunately, there is a skeleton key that can unlock these old secrets.

Atop the famous stele containing Hammurabi’s Code is a depiction of Hammurabi and Shamash, the Sun god, who was also the Babylonian god of justice.  The swirling headdress of Shamash in this image might seem merely decorative, but in fact it possesses a dynamic meaning.

At the back of Shamash’s neck is an oval object that has no obvious purpose.  It appears to be attached to the coiled shape of the headdress, as if it were the head of a serpent.  But why would Shamash be wearing a serpent on his head?

To answer this question, one must become aware of the compelling new evidence for and reinterpretation of

Decades of meticulous investigation have revealed many features of the 1st Century BC Antikythera Mechanism, a portable planetarium that demonstrated the motion of celestial objects.  But we must question researchers’ conclusion that the Mechanism incorrectly represented the orbit of Mars, in particular, by roughly 30 degrees during retrograde motion1.

This discrepancy seems anomalous in a sophisticated device that otherwise exhibited a much smaller range of error.  So maybe there is some other explanation.

Karahunj (Zorats Karer) is an ancient site in southern Armenia that contains more than 230 large stones, some 37 still standing, arranged in a fashion that has suggested to many observers that it was used for archaeoastronomy.  But defining how it was used has remained elusive.  Complicating the situation, Karahunj is located near a complex of ancient graves; we do not know who built it; it is difficult to ascertain exactly when the stones were set up; and some 85 of them have holes drilled through them that researchers have suggested might be used for sighting celestial objects, but other researchers think this unlikely because they would have been too imprecise.1

Nonetheless, there is a rather simple explanation of the stones of Karahunj.  But to grasp it, one must become aware of the compelling new evidence for and reinterpretation of

Honor Immanuel Velikovsky, a great, misunderstood scientist!  This striking, 100%-cotton Immanuel Velikovsky T-shirt, designed by Scientia Press, will get you and Velikovsky plenty of attention!  Medium size.  Wash in cold water.

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